Due Monday, June 11th - Read "Jane Eyre" by Charlotte Brontë - Chapters 1-10 (pages 1-96)

1) Read Jane Eyre by Charolette Brontë - Chapters 1-10 (pages 1-96).
2) Please use the questions below as a guide, and compose a blog response for our class discussion.

1. Review the following passage: “I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode—whether in the church vault or in the unknown world of the departed—and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity” (16). How does this passage contribute to the gothic effects in the novel? Remember that Jane is ten years old. How typical are these insights for a child this age? Later, Jane comments that the incident gave her nerves such a shock that she feels the “reverberation to this day” (19).

Analyze the thought of a frightening childhood incident and its ability to imprint itself on a person’s long-term memory.

2. Review the following quotation: “I always took my doll; human beings must love something, and in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow” (28). In your own words, what is Jane saying about the need for love?

3. Compare the religious attitudes of Helen Burns to those of Mr. Brocklehurst. With which views does Jane want her readers to agree or sympathize? Cite text to support your answer.

4. How do Miss Temple and Helen Burns affect Jane’s attitudes about life? Give examples to support your ideas.

5. Examine the harsh living conditions present at Lowood. What are some of the difficulties encountered by Jane and the other girls? What message does this send about the life of orphaned children? What statement does this make about those who are commissioned to run organizations that provide for the care of others?

6. Review the following passage: “If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse” (57). Do you agree with this philosophy? Why or why not? How might this be applicable in today’s society?

Background on the Bronte Sisters

Part I:  Biography

Patrick and Maria Bronte had six children (from oldest to youngest): Maria, Elizabeth, Charlotte, Branwell, Emily, and Anne. Soon after Patrick had been appointed to a parish in Haworth, Yorkshire, his wife died, leaving the parson and the young children behind (the oldest, Maria, only seven years old). Maria, Elizabeth, Charlotte, and Emily began attending Cowan Bridge School three years after their mother's death. Tragically, Maria and Elizabeth both died of tuberculosis, which had infected the school. Patrick hastened to bring Charlotte and Emily home after learning of the deaths of his two older daughters.

Six years after the loss of her sisters, Charlotte set off for Roe Head School. She returned a little after a year later and taught her sisters. In 1835, Charlotte became a teacher at Roe Head, and Emily became a student there, but she only lasted three months. She would speak to no one except Charlotte and became very thin and pale. She was soon back at Haworth. Anne took Emily's place at Roe Head.

In the next few years, Emily became a teacher at Law Hill School. Failure was the result. Emily endured her position for six months; she disliked teaching very much, and longed for the moors that surrounded her home.

In February of 1842, Charlotte and Emily went to Brussels. They stayed at the Pensionnat Heger, where they became pupils. Madame Heger was the head of the school. The two sisters learned French, German, music, singing, writing, arithmetic, and drawing.

At home, Aunt Branwell had become very ill. Charlotte and Emily came home, only to find her dead and buried. Afterwards, Emily stayed at the Parsonage, but Charlotte went back to Brussels. She became a teacher at the Pensionnat, but she was very dissatisfied with her students. In a letter to Branwell, she said:

"I can discern only one or two [pupils] who deserve anything like regard...They have not intellect or politeness or good-nature or good-feeling..."

Madame Heger thought that Charlotte had fallen in love with her husband, and therefore became very cold and distant towards her. Monsieur Heger taught her German, but otherwise, had little to do with her. Early in 1844, Charlotte came home, but continued to write to Monsieur Heger, even though he allowed her to write to him only twice a year.

Branwell's talents seemed very promising. He was seen as the gifted one in the family. His father had hired a painting master to teach his only son, and it was also thought that Branwell could possibly turn out to be a poet or a journalist. Unfortunately, Fate dictated otherwise. Branwell was to go to London to attend the Royal Academy Schools, but he did not present himself as planned. Instead, he roamed the streets of London, wasting his money on alcohol. Later on, when he had failed at portrait painting and working on railroads, he tried his hand at tutoring (the Robinson family hired him). Branwell was dismissed because of "irregularities," as it was termed. He had been having an affair with Mrs. Robinson. Finally, at age 31, Charlotte's only brother died.

Meanwhile, Charlotte, Emily, and Anne had begun publishing their poetry and novels. Charlotte had written Jane Eyre (1846), Shirley (1849), and Villette (1853). It was not until after her death that The Professor was published in 1857. Charlotte had begun several novels, but she never finished them. Emily's novel Wuthering Heights was published in 1847. Anne's accomplishments included Agnes Grey (1847) and The Tenant of Wildfell Hall (1848). All of the Bronte sisters had contributed poems to a collection of poetry, entitled Poems by Currer, Ellis, and Acton Bell (1846). Currer, Ellis and Acton were the aliases assumed by Charlotte, Emily, and Anne Bronte. The sisters lived in such times that women were not always given a fair chance in the business world. Therefore, they assumed masculine names, so that their books would have a better chance of being published.

Disaster struck in October of 1848, when Emily fell sick with tuberculosis. In December of 1848, Emily's coffin was laid in the same vault as that of her mother and brother. Anne soon followed her sister to the grave, after she was consumed by the same relentless disease that had deprived her mother, brother, and three sisters of their lives.

The only remaining members of the Bronte family were Patrick and Charlotte. Charlotte was very deeply grieved at the loss of her companions. Writing restored her energy. In Shirley, she explained her feelings:

"...who cares for imagination? Who does not think it a rather dangerous, senseless attribute - akin to weakness - perhaps partaking of frenzy - a disease rather than a gift of the mind?

Probably all think it so, but those who possess - or fancy they possess - it. To hear them speak, you would believe that their hearts would be cold if that elixir did not flow about them; that their eyes would be dim if that flame did not refine their vision; that they would be lonely if this strange companion abandoned them. You would suppose that it imparted some glad hope to spring, some fine charm to summer, some tranquil joy to autumn, some consolation to winter, which you do not feel. An illusion, of course; but the fanatics cling to their dream, and would not give it for gold."

Charlotte also wrote to her publisher, when she was announcing the completion of Shirley:

"Whatever now becomes of the work, the occupation of writing it has been a boon to me. It took me out of dark and desolate reality into an unreal but happier region."

In a later letter to the same publisher, she wrote:

"The faculty of imagination lifted me when I was sinking, three months ago...I am thankful to God, who gave me this faculty; and it is for me a part of my religion to defend this gift and to profit by its possession."

During this time, her father's curate, the Reverend Arthur Bell Nicholls, had been spending a great deal of time with Patrick and Charlotte. It was not long before he proposed, and Charlotte accepted. They were married on the morning of Thursday, June 29, 1854. One year after the marriage, Charlotte died. The cause of her death was tuberculosis, and it is thought that complications in early pregnancy hastened the process.

Patrick Bronte ended up outliving his wife and six children. His only companion was Charlotte's husband, who looked after Charlotte's father, in compliance with Charlotte's last wishes. Patrick, at age 84, was the last of his family to die.

Part II:  Major Works

Charlotte Bronte

Jane Eyre (1846)

Villette (1853)

Shirley (1849)

The Professor (1857)

Emily Bronte

Wuthering Heights (1847)

Anne Bronte

Agnes Grey (1847)

The Tenant of Wildfell Hall (1848)

Branwell Bronte

The Works of Patrick Branwell Bronte : An Edition (Vol 1)

Part III:  The Victorian Era

Brontë wrote during the Victorian Age of British literature, which lasted from 1833- 1901, named in connection with the reign of Queen Victoria. The social, political, and historical influences of the Victorian Age permeated its literature. At the forefront was the ever-changing role of women. In the 1840’s petitions began

circulating for the advocation of women’s suffrage. The Married Women's Property Acts in 1882 secured women’s rights to maintain property ownership after marriage. The Industrial Revolution opened doors for lower class women to take jobs in factories, most of which paid low wages and offered terrible working conditions. The plight of the educated but impoverished woman makes Jane Eyre a reflection of the times in which it was written. The Victorian Age brought an increase in literacy, and reading novels became a popular pastime. The typical Victorian novel was directly connected to issues and concerns of contemporary society; authors strove to create realistic views of nineteenth century living. Stories were often published in serial form; readers anxiously awaited the monthly installments of single chapters. Along with Brontë, authors such as Charles Dickens, William Makepeace Thackery, Anthony Trollope, George Eliot, and Thomas Hardy penned works that became popular.

Part IV:  Allusions in Jane Eyre

Jane Eyre has an abundance of Biblical, literary, and historical allusions. To enrich their comprehension, students might be asked to track allusions as they study the novel. A sampling of allusions, along with an explanation for each, is provided here for reference.

Bewick’s History of British Birds

A book that provides details about various species of birds, along with engraved illustrations. Jane enjoys the book as an escape from her life with her cruel aunt and cousins (7).

Nero and Caligua

Mentioned in connection with John Reed, these notorious Roman leaders were known for excessive spending and evil deeds (10).

Gulliver’s Travels

Jane requests Bessie to fetch this novel written by Jonathan Swift. The story uses the form of a traveler’s narrative to develop a satire about human nature (20).

Guy Fawkes

Jane tells readers that Abbot compared her to Guy Fawkes. As part of the famous “Gunpowder Plot,” Fawkes, along with fellow conspirators, attempted to blow up King James I and the Houses of Parliament in London

in 1605. The reference is made in connection with Jane’s status as an “illconditioned child” (25).

Babel

A Biblical city in Shinar where the building of a tower is held in Genesis to have been halted by the confusion of tongues; Jane makes this reference to describe the chaos at Lowood School (46).

Rasselas

An essay being read by Helen Burns; this work by Samuel Johnson contends that happiness may not always be within one’s grasp (49). Bluebeard’s castle: A fairy-tale in which a young wife has access to all the rooms in a castle except for the one that contains the bodies of her dead predecessors. Jane mentions this in connection to her lingering by a passage near the attic (108).

Dian

A Celtic deity, Jane uses this name when she refers to Blanche’s appearance with this name (175).

Eliezer and Rebecca

Rochester and Blanche Ingram dress up as Eliezer and Rebecca during a game of charades. In the twenty-fourth chapter of Genesis, Eliezer, Abraham's servant, is sent to find a bride for Abraham's son, Isaac. Eliezer does not marry Rebecca, just as Rochester will not marry Blanche (186).

King Ahasuerus

The Persian king who is found in the Book of Esther and promises to give Esther what she wants, just as Rochester promises Jane (265).

Samson

From the Bible in Judges 16, Samson reveals to his lover Delilah that his hair, the source of his strength, has never been cut; she uses this secret against him to bring about his destruction (265).

Marmion

A book of Romantic poetry written by Sir Walter Scott that is read by Jane while St. John examines her drawings (377).

Medusa

From a Greek myth, Medusa is the mortal Gorgon who is slain when decapitated by Perseus. A person would turn to stone if looking at her. The allusion is made in connection to Jane’s demeanor after she has learned that she is an heiress (389).

Paul and Silas’s Prison

Paul, the apostle, was thrown into prison with Silas for serving Jesus. After suffering severely, they were miraculously freed. Jane makes reference to this as she reflects on the voice she had heard that seems like

an inspiration (429).

Nebuchadnezzar

The proud king of the Babylonian Empire who experienced a fall. His deterioration is described in The Bible as “he was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagles' feathers, and his nails like birds' claws.” Jane makes a reference to Nebuchadnezzar when she returns to Rochester and finds him in seclusion (444).

Apollo

The Greek god of sun and music. Rochester uses this reference in response to Jane’s description of St. John (449).